BRAVE
-Disney/Pixar,-conceived by Brenda Chapman,
-directed by Mark Andrews, Brenda Chapman.
The first thing I have to say is that it doesn't remotely seem 93 minutes long, which has two implications 1) at no point is the plot uninteresting and 2) You leave feeling a tiny bit cheated because it was over so soon.
This possibly has something to do with a short animation (a delightful little piece entitled "La Luna") at the beginning, which accounts for about ten minutes of that running time, not to mention that credits always take much longer for animated features. But La Luna is worth seeing (7/10 at least), and Brave isn't all that short... it just finishes before you're prepared to leave.
The premise:
Our heroine, the fiesty Scottish Merida, who is also a princess, considers it grossly unfair that she has to get married just because otherwise her peaceful land will be torn asunder by war. This seems a little brattish, but we soon meet the suitors, whereupon we instantly forgive her.
Anyway, Merida picks up on the fact that her father is more interested in belching, role-play and hunting bears than he is in actually keeping the kingdom afloat, and thereby deduces that it is because of her mother, Queen Elinor (Shock, horror, a Disney flick with a living mother???). She quickly offends almost everyone present by ably demonstrating that anything men can do, she can do better, and with the assistance of teenage hormones and her lovable horse Angus, she storms out of the castle to have a private rant.
The rest of the basic premise is pretty standard - she looks for a quick fix to her problems, it all goes horribly wrong and everyone learns something about themself in the process. But, in fairness to Brenda Chapman's story, no plotline is really original when you break it down to a single sentence.
The finer details...
The major focus of this film - in a break from both Pixar's and Disney's general ideas - is the mother-daughter dynamic. As is Pixar's trademark, though, there are very few points in the film where the major focus is the only thing happening, and it does its best to make you laugh, cry and think all at the same time.
Kelly Macdonald and Emma Thompson (Merida and Elinor, respectively) dominate the plot, and, in good old Disney fashion, their performances are perfect. Billy Connolly and Julie Walters, despite having a lot less to do with the plot directly, both voice very memorable characters that entertain without upstaging the main pair. Characters gain depth and fallibility within just a few lines, as much from the well though-out script as from animation so fluid that you can almost forget that it's not real.
I have to tell you that bears feature. This is shown in the trailer, so I don't consider it a major spoiler, but it needs to be said anyway because of the quality of the animation. It is extraordinary.
Forget Sulley's fur in Monsters, Inc. and the sea anemones in Finding Nemo (based on Sulley's fur) - they were ingenious and groundbreaking, yes, but they have nothing on this. The animators for Sulley, for those of you who don't know, went to extraordinary lengths to make the lovable monster's long hair look realistic - an onorous task which entailed animating thousands of individual hairs to respond to position and environment. In Brave, the animators have produced hair which is long enough to respond to environmental influences such as the wind, water etc, but short enough that it also shows the movement of flesh underneath this. And it is incredibly realistic.
Overall, it is the incredibly attentive animation that forces the viewer to take the plot seriously, and unlike many animations, make it easy for even older viewers to forget that the danger is imaginary.
Any further ado will inevitably lead to spoilers, which I don't consider a good thing, so let's get straight to the scores:
Visuals: 10/10, although - as it moves the bar upwards - probably 11/10 when compared to any previous animation.
Writing: 8/10 - most of it was beautifully original, and it certainly flowed like a 10, but some details of the plot were annoyingly predictable.
Voice Acting: 10/10, easily. Accents were either real or pulled off beautifully, some complex vocal work was done and every emotion written was expressed precisely in the voice.
Score: 10/10. A touch of celtic goodness kept it out of the land of cliches for a Disney score, but still managed to create the mood and set the scene just as required.
so, Overall: 9.5 (brilliant)
I should, however, draw your attention to the fact that if you watch films just for the plot, you're looking at an 8/10 - very good, but not brilliant.
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